Eraserhead Movie Trailer

The Man in the Planet (Jack Fisk) is seen moving levers in his home in space, while the head of Henry Spencer (Jack Nance) is seen floating in the sky. A spermatozoon-like creature emerges from Spencer's mouth, floating into the void.
In an industrial cityscape, Spencer walks home with his groceries. He is stopped outside his apartment by the Beautiful Girl Across the Hall (Judith Anna Roberts), who informs him that his girlfriend, Mary X (Charlotte Stewart), has invited him to dinner with her family. Spencer leaves his groceries in his apartment, which is filled with piles of dirt and dead vegetation. That night, Spencer visits X's home, conversing awkwardly with her mother (Jeanne Bates). At the dinner table, he is asked to carve a chicken that X's father
 (Allen Joseph) has "made"; the bird moves and writhes on the plate and gushes blood when cut. After dinner, Spencer is cornered by X's mother, who tries to kiss him. She tells him that X has had his child and that the two must marry. X, however, is not sure if what she bore is a child.
The couple move into Spencer's one-room apartment and begin caring for the child—a swaddled bundle with an inhuman, snakelike face, resembling the spermatozoon creature seen earlier. The infant refuses all food, crying incessantly and intolerably. The sound drives X hysterical, and she leaves Spencer and the child. Spencer attempts to care for the child, and he learns that it struggles to breathe and has developed painful sores.

Eraserhead Movie Review

The Greatest Student Film Ever Made returns to screens in a brand new print personally remastered by the director. The story– if it could be described as such– concerns Henry, a lonely man who discovers that the girl he loves has carried and given birth to something that might or might not be a baby… 
Watching ‘Eraserhead’ today, what emerges is the sheer, immersive clarity of David Lynch’s vision, the sense of a world unlike our own and yet inextricably bound to it: a world in which all the light has been sucked out, leaving only horror and isolation, desperation and unattainable dreams. 
Knowing the struggles Lynch and his crew underwent to complete this wildly uncommercial labour of love, over five years of scratching for every budgetary dollar, the absence of compromise astounds. ‘Eraserhead’ is a singular work of the imagination, a harrowing, heartbreaking plunge into the darkest recesses of the soul.Eraserhead Movie Review

Eraserhead Movie Wiki

Lynch and sound designer Alan Splet spent a year working on the film's audio after their studio was soundproofed. Eraserhead's soundtrack features organ music by Fats Waller and includes the song "In Heaven", penned for the film by Peter Ivers.
Initially opening to small audiences and little interest, Eraserhead gained popularity over several long runs as a midnight movie. Since its release, the film has earned positive reviews. The surrealist imagery and sexual undercurrents have been seen as key thematic elements, and the intricate sound design as its technical highlight. Thematic analysis of the film has also highlighted these issues and has elaborated on Spencer's fatalism and inactivity. In 2004, the film was preserved in the National Film Registry, maintained by the United States Library of Congress; it was also one of the subjects of the 2005 documentary Midnight Movies: From the Margin to the Mainstream.Eraserhead Movie Wiki

Eraserhead Movie Poster

Eraserhead is a 1977 surrealist body horror film written and directed by American filmmaker David Lynch. Shot in black-and-white, Eraserhead is Lynch's first feature-length film, coming after several short works. The film was produced with the assistance of the American Film Institute (AFI) during the director's time studying there. Starring Jack Nance, Charlotte Stewart, Jeanne Bates, Judith Anna Roberts, Laurel Near, and Jack Fisk, it tells the story of Henry Spencer (Nance), who is left to care for his deformed child in a desolate industrial landscape. Throughout the film, Spencer experiences dreams or hallucinations, featuring his child and the Lady in the Radiator (Near).
Eraserhead spent several years in principal photography because of the difficulty of funding the film; donations from Fisk and his wife Sissy Spacek kept production afloat. The film was shot on several locations owned by the AFI in California, including Greystone Mansion and a set of disused stables in which Lynch lived.